Speaker critique

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Speaker critique

The Silver is exactly one half of the Gold. Unfortunately, both are a lot of money, especially the Gold, which is double the price of the Silver. They are also very stiff and difficult to work with, but that is only an issue if you are constantly changing components or positions.

These are both silver cables and with pure silver connectors.

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This cable is very accurate and revealing and it is not for audiophiles Speaker critique are looking for a "pleasant" or "forgiving" sound. The Polk cables above are even more revealing, have a quieter, darker background and a more focused sound. The Wireworld cables are more "up-front" and "exciting" to listen to than the Polks, and they also have superior bass reproduction.

So, some listeners might still prefer them overall to the Polks. Note- I have not directly compared these cables to the much less expensive Coincident Extreme cables above.

It also has very low inductance and high capacitance like the Polk. Some amplifiers may have problems with these cables. Like the Polk, this is also very neutral and revealing, and not recommended for euphonic filtering. I haven't heard their latest models.

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Israel Blume of Coincident agrees with me that the Polk has been superior to all the other speaker cables until this time, including his own original CST 1, just below. I have heard this new Coincident TRS cable in my own system, after a thorough break-in, and it is a noticeable improvement over the original CST 1.

It has a larger, more focused and detailed sound and it is also more dynamic and upfront. However, it is not as good as the Polk in the most important areas of music reproduction, low-level information, ultimate transparency etc.

Speaker critique

It is better in bass impact, and it is also a little more "upfront", which is probably caused by its lower resistance. Two other experienced and objective listeners agreed with this assessment.

I was not able to directly compare the TRS to the other Class B cables above, but the differences, from memory, will be similar to those of the CST 1, though the disadvantages will be reduced and its strengths enhanced. It is superior to the other Class C cables, though the others may prove more desirable in system matching, and the inexpensive Goertz may still have more high-frequency extension and detail.

It is made out of 6-Nine copper. Its main strengths are its focus, smoothness and powerful bass transmission, but it doesn't have the same sense of "immediacy" or "aliveness" as either the best Wireworlds or the Goertz, in Class B.

The new TRS is also noticeably superior, though they have some common "family" traits, as can be expected. This cable, and the more "all-out" and expensive version of it the Referenceappear to work particularly well with Coincident's own speakers, which shouldn't be surprising.

These cables are also not recommended for those who are looking for a particular sound that complements some problem with their system.

The recent Neutral Reference has the least of these qualities. These are recommended for those who want to complement digital or solid state problems, or for those who prefer a warmer than pure neutral sound.

This includes the entire copper series and the less expensive narrower of the silver series. They sound similar to the Polk, but lack the inner detail.

Some amplifiers have stability problems with these cables, mainly because of their higher than average capacitance. In fact, I was a dealer for them for a while. As far as I know, they were the first "audiophile" speaker cables, so they actually created this new "component" category.

They were never that good and now they are obsolete. Basically, they were extra thick, copper, lamp cord wire, like standard Monster cable, but with silver plating. The Brown was 12 or 10 gauge, while the extremely stiff and super thick Gold, was either 6 or 4 gauge. They had both a high inductance and a bright sound.

They did have good bass because of their low resistance, especially the Gold, which is probably still a good choice as a subwoofer cable. Other than for that one specific application, both cables are now obsolete and should be avoided. These letters furthermore, are not to be taken as being endorsed by Arthur Salvatore or High-End Audio.

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The Audience and Context for the Speech

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